Remembering Morabo Morojele: A True Renaissance Man of Lesotho
In today’s world, the term “Renaissance man” is often used carelessly to describe individuals with a variety of talents. However, Lesotho-born Morabo Morojele epitomized this title through a life rich in music, literature, and development work until his untimely passing on May 20 at the age of 64.
Morojele was not only an extraordinary jazz drummer but also a gifted novelist and insightful development scholar. My first encounter with him was during a captivating live performance, which sparked my interest in his subsequent literary work. As a researcher of South African jazz, I was astounded by the power of his writing, which reflected his profound understanding of music and society.
Celebrating the life of a pan-African polymath like Morojele is vital, especially at a time when the world often demands that people fit into narrow categories. He defied these confines, embodying the intersections of art and academia. His music not only entertained but also raised awareness of the socio-political issues affecting his generation.
A Journey Through Music and Academics
Born on September 16, 1960, in Maseru, Lesotho, Morojele attended the Waterford Kamhlaba United World College in Eswatini, before continuing his studies at the London School of Economics. It was during his time in London in the 1980s that he turned his passion for jazz drumming into professional performances, collaborating with influential groups and artists like South African drummer Julian Bahula and Ghanaian saxophonist George Lee. His diverse musical experiences enriched his talents and expanded his understanding of both jazz and its socio-political significance.
After returning to Lesotho, Morojele founded the Afro-jazz group Black Market and later the trio Afro-Blue. He provided a creative refuge for South African artists during apartheid, proving that music can serve as both a platform for expression and an avenue for social change. In 1995, he moved to Johannesburg and continued to forge connections within the local jazz scene, joining esteemed musicians and participating in pivotal performances that shaped South African music.
The Accidental Novelist
Morojele’s literary journey began almost by chance. In a revealing interview, he shared how a series of events led him to write his first novel, How We Buried Puso, which explored the intertwining of personal and political narratives in Lesotho. The book’s success was marked by its shortlist for the M-Net Literary Award in 2007.
Eighteen years later, he released his second novel, The Three Egg Dilemma, a compelling narrative set against a backdrop reminiscent of Lesotho, where characters must navigate the complexities of their identities in a changing world. His work was recognized when he won the University of Johannesburg Prize for South African Writing in English, showcasing the impact of his words.
Despite facing health challenges, which included urgent surgery in South Africa in 2022, Morojele’s creativity never wavered. He was in the process of completing a collection of short stories at the time of his passing, proving that his artistic spirit remained unbounded.
A Lasting Legacy
The essence of Morabo Morojele transcends his multi-faceted career as a musician, writer, and scholar. His deep-rooted pan-Africanism and mastery of sound are reflected in both his musical compositions and literary works. Morojele’s artistry serves as a reminder of the beauty and resilience found in African narratives.
As we remember this extraordinary individual, we celebrate the rich tapestry of creativity he wove throughout his life. His legacy, filled with rhythm and poignant stories, will continue to inspire future generations. Robala ka khotso, sleep in peace, Morabo.
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